My friend Lara Hoad teaches a class in the Integrated Learning department at Otis College of Art and Design. Students from across the disciplines come together and collaborate on projects around a particular theme. For Lara’s class, it’s Rise Above Plastics. Students learn about the problem of plastic marine pollution, and create projects that address it from the lens of advocacy and activism.
Last Monday, Lara invited members from the Surfrider West LA/Malibu Rise Above Plastics committee to join as guest critics of the final student projects.
It was quite exciting for me to be back in design classrooms again. I taught for three semesters at Parsons in 2004-2005, fresh after graduation from Cranbrook. Back then, the critical studies department at Parsons required all incoming freshmen to take a critical studies class on Marxism, feminism, and ethics. It was a great challenge for me to present all three very erudite subjects to them. I remember what at first seemed daunting to the students morphed into curiousity and then full-on vivaciousness as they bridged theories on commodities, “the gaze” and morality into art, fashion and design. The green movement was barely on the radar of any design school.
Since then, the environmental movement has gained immense traction and to have it emerge in the design disciplines is a natural and timely progression.
Four projects were presented from the integrated learning class:
1. “Recipe for Disaster,” a PSA led by Sean Watkins.
2. “Plastic Bale” art installation led by Tahani Abbas.
3. “Are You Plastic-Free?” business certification led by Lindsey Hall.
4. “Four R’s” bags and posters led by Kelly Toki.
I really liked that they spanned across a wide range of media for propagation, from the business model of the certification program, to the comedic parody of the cooking show PSA, to the public engagement of the art installation and adorable fashion statement of the re-usable bags.
To the Four R’s group, one critic challenged the students to create bags that men would want to carry, like a re-usable man-bag or “murse.” I also thought it would be great for the bags to be sold on Etsy — these bags are truly well-crafted, out of old T-shirts to boot. And the green business certification program has so much legs that our Surfrider chapter plans to bring that to local businesses in the Venice area.
On closing out the final review, a student from Texas remarked that sometimes she felt like her advocacy wasn’t taken seriously because she was, she implied, “merely” a design student at an art school and not a law student or something more traditionally professional. I wanted to address this clearly to them that designers and artists are the first to take activism by the helm.
I had wondered this myself: What is the role of design in a world where ice glaciers are melting and plastic is floating in our oceans like confetti? Should I join the UN? Go back to school and earn a law degree so I can litigate against polluters? Do I chuck the MFA out the window and become a scientist and study weather patterns and chemical toxins? Or, do I take what I know in this discipline and adopt the viewpoint that everything in our world needs to be re-designed if we are to save the planet?
The world needs to be re-designed. For designers looking for work: take a look around you. Everything about the way we live could use a push of the re-start button. Those were the words I offered to the students, and to which I offer myself.